Gay sissie com
I knew I was queer when I was a small minor. My voice was gentle and sweet. I avoided sports and all roughness. I played with the girls.
I did not fit into the world around me. I knew the meaning of “heresy” before I entered kindergarten. Heresy was a boy who cried a lot when he got hurt. Heresy was a boy who couldn’t throw a baseball. Heresy was a young man putting on girl-clothing. Heresy was me.
As I got older and fully entered the society of children, I met the key enforcer of social roles among children: the bully. The bully was the boy who defined me as queer to my peers. If they hadn’t already noticed, he pointed out my nonconformity. He was ever-present throughout my childhood, like an adj spirit entering different bodies on different occasions. He haunted me at school, throughout my neighborhood, during synagogue, even at birthday parties. In any group of three or more boys, the bully was present.
I know a lot about bullies. I understand they have a specific social function: they define the limits of acceptable conduct, appearance, and activities for children. They enforce rigid
Thispastweekend the world was treated to the first openly gay NFL player, Michael Sam, kissing his boyfriend, Vito Cammisano, on his cake-covered face after he establish out that he had been drafted to play for the St. Louis Rams. "Clang, clang, clang," went the Internet. "Ding, ding, ding," went the couple's bells. "Zing, zing, zing," went our heartstrings. From the moment we saw him, we fell.
Aside from a few high-profile negative tweets, most notably from Super Bowl champion Derrick Ward and Miami Dolphins safety Don Jones, the reaction was overwhelmingly positive. Ward and Jones both received backlash: Ward received a series of death threats, while the Dolphins forced Jones to pay an undisclosed amount in fines and take a tolerance class. However, even within the community of those who were elated to see Sam accept his rightful place in the NFL, an insidious sentiment of anti-femininity was growing.
Many, including me, were happy to glimpse an openly gay black guy selected to play in the NFL. Those in LGBT communities of color, where pop-culture role models are fewer and farthe
Imposing Daddy's Sissies: Gay Feminization Stories
Daddy's hands gently work over my hair as he styles me for our evening routine—the way his fingers tease out tangles, and his eyes seem to see right through to my soul. It's not just about becoming the right woman for him; it's about refining the beauty he sees in me.
And now I'm completely under his imposing presence.
Daddy has taken me on a journey of self-discovery, guiding me through every step of the transformation process—from the delicate application of makeup to the carefully chosen fabrics for my gowns. He treats me like a work of art, one he needs to shape and mold. Though he might still maintain a sense of detachment, when we're together, I'm his sweet sissy.
And I've grown to love the way he holds me—cradling me in his arms and whispering all the dirty plans he has for me.
This release contains the following stories: Sissified by Daddy, Daddy's Submissive Stewardess, and Shaped by the Man of the House.
Sissies & Stars
Dublin Core
Title
Sissies & Stars
Alternative Title
Orlando Gay Chorus Presents "Sissies & Stars"
Subject
Orlando (Fla.)
Music--Florida
Dance--United States
Description
A poster for the Orlando Gay Chorus concert, “Sissies & Stars”. The event was held at the John & Rita Lowndes Shakespeare Center in Loch Haven Park, located at East Rollins Street in Orlando, Florida, on March 22 and 23, Featuring guest star Peg O'Keef, “Sissies & Stars” was a show based on Tomie dePaola's classic children's book, "Oliver Button is a Sissy". Tickets were $15 in advance through Rainbow City, Urban Think, and and $18 at the door. The poster features a white background with a blue and white star behind the title and a border of red stars. Featured artwork includes a photo of O'Keef and the logos of the OGC and various sponsors across the bottom of the poster.
The Orlando Gay Chorus is a (c)(3) nonprofit arts and humanitarian organization part of GALA Choruses. Founded on Valentines Day , OGC is not only one of the largest mixed g